Imaginary Conversations and Poems: A Selection
more agreeable to me than many that are: I cannot say from what resuscitation of early and tender feeling. The cypress, too, seems to strengthen the nerves of the brain. Indeed, I delight in the odour of most trees and plants.

Will not that dog hurt us?—he comes closer.

Boccaccio. Dog! thou hast the colours of a magpie and the tongue of one; prithee be quiet: art thou not ashamed?

Petrarca. Verily he trots off, comforting his angry belly with his plenteous tail, flattened and bestrewn under it. He looks back, going on, and puffs out his upper lip without a bark.

Boccaccio. These creatures are more accessible to temperate and just rebuke than the creatures of our species, usually angry with less reason, and from no sense, as dogs are, of duty. Look into that white arcade! Surely it was white the other day; and now I perceive it is still so: the setting sun tinges it with yellow.

Petrarca. The house has nothing of either the rustic or the magnificent about it; nothing quite regular, nothing much varied. If there is anything at all affecting, as I fear there is, in the story you are about to tell me, I could wish the edifice itself bore externally some little of the interesting that I might hereafter turn my mind toward it, looking out of the catastrophe, though not away from it. But I do not even find the peculiar and uncostly decoration of our Tuscan villas: the central turret, round which the kite perpetually circles in search of pigeons or smaller prey, borne onward, like the Flemish skater, by effortless will in motionless progression. The view of Fiesole must be lovely from that window; but I fancy to myself it loses the cascade under the single high arch of the Mugnone.

Boccaccio. I think so. In this villa—come rather farther off: the inhabitants of it may hear us, if they should happen to be in the arbour, as most people are at the present hour of day—in this villa, Messer Francesco, lives Monna Tita Monalda, who tenderly loved Amadeo degli Oricellari. She, however, was reserved and coy; and Father Pietro de’ Pucci, an enemy to the family of Amadeo, told her nevermore to think of him, for that, just before he knew her, he had thrown his arm round the neck of Nunciata Righi, his mother’s maid, calling her most immodestly a sweet creature, and of a whiteness that marble would split with envy at.

Monna Tita trembled and turned pale. ‘Father, is the girl really so very fair?’ said she anxiously.


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