letter on the subject is as the words of one mourning for his mother.     

       But his was not a mere poetical emotion, supplying him with highly-coloured rhetoric, or sentimental panegyric. He had a technical and minute acquaintance with the detailed movement of wars, the precise ships and regiments engaged, the personalities and characters of commanders and officers, the conduct of the rank and file.     

       Many delightful stories remain in the memories of his friends and hearers to attest this. His pupil-room at Eton, in what was formerly the old       Christopher Inn, was close to the street, and the passage of the Guards through Eton, to and from their Windsor quarters, is an incident of constant occurrence. When the stately military music was heard far off, in gusty splendour, in the little town, or the fifes and drums of some detachment swept blithely past, he would throw down his pen and go down the little staircase to the road, the boys crowding round him. "Brats, the British army!" he would say, and stand, looking and listening, his eyes filled with gathering tears, and his heart full of proud memories, while the rhythmical beat of the footsteps went briskly echoing by.     

       Again, he went down to Portsmouth to see a friend who was in command of a man-of-war; he was rowed about among the hulks; the sailors in the gig looked half contemptuously at the sturdy landsman, huddled in a cloak, hunched up in the stem-sheets, peering about through his spectacles. But contempt became first astonishment, and then bewildered admiration, when they found that he knew the position of every ship, and the engagements in which each had fought.     

       He was of course a man of strong preferences and prejudices; he thought of statesmen and patriots, such as Pitt, Nelson, Castlereagh, Melbourne, and Wellington, with an almost personal affection. The one title to his vehement love was that a man should have served his country, striven to enhance her greatness, extended her empire, and safeguarded her liberty.     

       It was the same with his feeling for authors. He loved Virgil as a friend; he almost worshipped Charlotte Brontë. He spoke of Tennyson as "the light and joy of my poor life." In 1868 he saw Sir W. Scott's portrait in London, and wrote: "Sir Walter Scott, shrewd yet wistful, boyish yet dry, looking as if he would ask and answer questions of the fairies—him 

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