The Marble Faun; Or, The Romance of Monte Beni - Volume 2
which the old butler's narrative assumed to have been long hereditary in the race. He was amused at finding, too, that not only Tomaso but the peasantry of the estate and neighboring village recognized his friend as a genuine Monte Beni, of the original type. They seemed to cherish a great affection for the young Count, and were full of stories about his sportive childhood; how he had played among the little rustics, and been at once the wildest and the sweetest of them all; and how, in his very infancy, he had plunged into the deep pools of the streamlets and never been drowned, and had clambered to the topmost branches of tall trees without ever breaking his neck. No such mischance could happen to the sylvan child because, handling all the elements of nature so fearlessly and freely, nothing had either the power or the will to do him harm.

He grew up, said these humble friends, the playmate not only of all mortal kind, but of creatures of the woods; although, when Kenyon pressed them for some particulars of this latter mode of companionship, they could remember little more than a few anecdotes of a pet fox, which used to growl and snap at everybody save Donatello himself.

But they enlarged--and never were weary of the theme--upon the blithesome effects of Donatello's presence in his rosy childhood and budding youth. Their hovels had always glowed like sunshine when he entered them; so that, as the peasants expressed it, their young master had never darkened a doorway in his life. He was the soul of vintage festivals. While he was a mere infant, scarcely able to run alone, it had been the custom to make him tread the winepress with his tender little feet, if it were only to crush one cluster of the grapes. And the grape-juice that gushed beneath his childish tread, be it ever so small in quantity, sufficed to impart a pleasant flavor to a whole cask of wine. The race of Monte Beni--so these rustic chroniclers assured the sculptor--had possessed the gift from the oldest of old times of expressing good wine from ordinary grapes, and a ravishing liquor from the choice growth of their vineyard.

In a word, as he listened to such tales as these, Kenyon could have imagined that the valleys and hillsides about him were a veritable Arcadia; and that Donatello was not merely a sylvan faun, but the genial wine god in his very person. Making many allowances for the poetic fancies of Italian peasants, he set it down for fact that his friend, in a simple way and among rustic folks, had been an exceedingly delightful fellow in his younger days.

But the contadini 
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