They were now advancing up the courtyard; and the long extent of the villa, with its iron-barred lower windows and balconied upper ones, became visible, stretching back towards a grove of trees.

"At some period of your family history," observed Kenyon, "the Counts of Monte Beni must have led a patriarchal life in this vast house. A great-grandsire and all his descendants might find ample verge here, and with space, too, for each separate brood of little ones to play within its own precincts. Is your present household a large one?"

"Only myself," answered Donatello, "and Tomaso, who has been butler since my grandfather's time, and old Stella, who goes sweeping and dusting about the chambers, and Girolamo, the cook, who has but an idle life of it. He shall send you up a chicken forthwith. But, first of all, I must summon one of the contadini from the farmhouse yonder, to take your horse to the stable."

Accordingly, the young Count shouted again, and with such effect that, after several repetitions of the outcry, an old gray woman protruded her head and a broom-handle from a chamber window; the venerable butler emerged from a recess in the side of the house, where was a well, or reservoir, in which he had been cleansing a small wine cask; and a sunburnt contadino, in his shirt-sleeves, showed himself on the outskirts of the vineyard, with some kind of a farming tool in his hand. Donatello found employment for all these retainers in providing accommodation for his guest and steed, and then ushered the sculptor into the vestibule of the house.

It was a square and lofty entrance-room, which, by the solidity of its construction, might have been an Etruscan tomb, being paved and walled with heavy blocks of stone, and vaulted almost as massively overhead. On two sides there were doors, opening into long suites of anterooms and saloons; on the third side, a stone staircase of spacious breadth, ascending, by dignified degrees and with wide resting-places, to another floor of similar extent. Through one of the doors, which was ajar, Kenyon beheld an almost interminable vista of apartments, opening one beyond the other, and reminding him of the hundred rooms in Blue Beard's castle, or the countless halls in some palace of the Arabian Nights.

It must have been a numerous family, indeed, that could ever have sufficed to people with human life so large an abode as this, and impart social warmth to such a wide world within doors. The sculptor confessed to himself, that Donatello could allege reason enough for growing melancholy, 

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