every other chime as usual setting up a sympathetic vibration in the pewter vase that stood upon the mantel. Mr. Chambers got to his feet, strode to the door, opened it and looked out. Moonlight tesselated the street in black and silver, etching the chimneys and trees against a silvered sky. But the house directly across the street was not the same. It was strangely lop-sided, its dimensions out of proportion, like a house that suddenly had gone mad. He stared at it in amazement, trying to determine what was wrong with it. He recalled how it had always stood, foursquare, a solid piece of mid-Victorian architecture. Then, before his eyes, the house righted itself again. Slowly it drew together, ironed out its queer angles, readjusted its dimensions, became once again the stodgy house he knew it had to be. With a sigh of relief, Mr. Chambers turned back into the hall. But before he closed the door, he looked again. The house was lop-sided ... as bad, perhaps worse than before! Gulping in fright, Mr. Chambers slammed the door shut, locked it and double bolted it. Then he went to his bedroom and took two sleeping powders. His dreams that night were the same as on the night before. Again there was the islet in mid-ocean. Again he was alone upon it. Again the squirming hydrophinnae were eating his foothold piece by piece. He awoke, body drenched with perspiration. Vague light of early dawn filtered through the window. The clock on the bedside table showed 7:30. For a long time he lay there motionless. Again the fantastic happenings of the night before came back to haunt him and as he lay there, staring at the windows, he remembered them, one by one. But his mind, still fogged by sleep and astonishment, took the happenings in its stride, mulled over them, lost the keen edge of fantastic terror that lurked around them. The light through the windows slowly grew brighter. Mr. Chambers slid out of bed, slowly crossed to the window, the cold of the floor biting into his bare feet. He forced himself to look out. There was nothing outside the window. No shadows. As if there might be a fog. But no fog, however, thick, could hide the apple tree