found of discovering the effect until the massive timbers were raised on the four walls of the building. Then, indeed, it was soon seen that, in defiance of all rule, the roof was by far the most conspicuous part of the whole edifice. Richard and his associate consoled themselves with the relief that the covering would aid in concealing this unnatural elevation; but every shingle that was laid only multiplied objects to look at. Richard essayed to remedy the evil with paint, and four different colors were laid on by his own hands. The first was a sky-blue, in the vain expectation that the eye might be cheated into the belief it was the heavens themselves that hung so imposingly over Marmaduke's dwelling; the second was what he called a “cloud-color,” being nothing more nor less than an imitation of smoke; the third was what Richard termed an invisible green, an experiment that did not succeed against a background of sky. Abandoning the attempt to conceal, our architects drew upon their invention for means to ornament the offensive shingles.     

       After much deliberation and two or three essays by moonlight, Richard ended the affair by boldly covering the whole beneath a color that he christened “sunshine,” a cheap way, as he assured his cousin the Judge, of always keeping fair weather over his head. The platform, as well as the caves of the house, were surmounted by gaudily painted railings, and the genius of Hiram was exerted in the fabrication of divers urns and mouldings, that were scattered profusely around this part of their labors. Richard had originally a cunning expedient, by which the chimneys were intended to be so low, and so situated, as to resemble ornaments on the balustrades; but comfort required that the chimneys should rise with the roof, in order that the smoke might be carried off, and they thus became four extremely conspicuous objects in the view.     

       As this roof was much the most important architectural undertaking in which Mr. Jones was ever engaged, his failure produced a correspondent degree of mortification At first, he whispered among his acquaintances that it proceeded from ignorance of the square rule on the part of Hiram; but, as his eye became gradually accustomed to the object, he grew better satisfied with his labors, and instead of apologizing for the defects, he commenced praising the beauties of the mansion-house; he soon found hearers, and, as wealth and comfort are at all times attractive, it was, as 

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