it was done. She lay, small and fragile as ever, her face calm, only there was no trace of life now. She was still and white, as only the dead—the truly dead—are. Tod's arm was flung across her chest, as if to protect her. I made myself move the arm, resting her head upon his shoulder, where it belonged. Then, as I looked, there was just Maria. Tod was gone and only a handful of dust lay piled up around the stake. It was enough. I slammed the lid shut.

Looking back now, I can see it was all for the best. Ria was different—apart from other women. A dreamer, a mystic, too easily influenced by the bizarre and un-normal. I, on the other hand, am practical almost to a fault. Had she married me I might have crushed in her the very thing that drew me to her. In time she might have grown to hate me.

Hunter, on the other hand, was a student. Introspective, given to romanticizing. Susceptible to suggestion. Had I been confronted with an Eve, I should have run like hell. To him, though, she was cloaked in mystery; hence, more desirable. What better choice for him ultimately than Ria? That Ria had to die to achieve her happiness is of no real importance. Life is a transitory thing anyway.

Sometimes, though, when I look at Ria's picture, it's hard to be practical. She was everything I shall ever want.

I had never been to Europe before the summer of 1947. I went to find Maria, to marry her. Instead, I found and murdered her, and I will never go back again.

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