pack of cards.

There was a sound of scratching on the door, and a girl appeared,—a country wench, as broad as she was long, red-haired and bandy-legged, a wen hiding the left eye, the right so pale a blue it looked white, with monstrous thick lips and teeth protruding beyond them.

She asked Gamelin if he was Gamelin the painter and if he could do her a portrait of her betrothed, Ferrand (Jules), a volunteer serving with the Army of the Ardennes.

Gamelin replied that he would be glad to execute the portrait on the gallant warrior's return.

But the girl insisted gently but firmly that it must be done at once.

The painter protested, smiling in spite of himself as he pointed out that he could do nothing without the original.

The poor creature was dumfounded; she had not foreseen the difficulty. Her head drooping over the left shoulder, her hands clasped in front of her, she stood still and silent as if overwhelmed by her disappointment. Touched and diverted by so much simplicity, and by way of distracting the poor, lovesick creature's grief, the painter handed her one of the soldiers he had drawn in water-colours and asked her if he was like that, her sweetheart in the Ardennes.

She bent her doleful look on the sketch, and little by little her eye brightened, sparkled, flashed, and her moon face beamed out in a radiant smile.

"It is his very likeness," she cried at last. "It is the very spit of Jules Ferrand, it is Jules Ferrand to the life."

Before it occurred to the artist to take the sheet of paper out of her hands, she folded it carefully with her coarse red fingers into a tiny square, slipped it over her heart between her stays and her shift, handed the painter an assignat for five livres, and wishing the company a very good day, hobbled light-heartedly to the door and so out of the room.

III

n the afternoon of the same day Évariste set out to see the citoyen Jean Blaise, printseller, as well as dealer in ornamental boxes, fancy goods and games of all sorts, in the Rue Honoré, opposite the Oratoire and near the office of the Messageries, at the sign of the Amour peintre. The shop was on the ground floor of a house sixty years old, and opened on the street by a vaulted arch the keystone of which bore a grotesque head with horns. The semicircle beneath the arch was 

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