The Gods are Athirst
behind his back, his head bared and swaying from side to side, his face to the cart's tail. The headsman stood beside him lolling against the rail. The passers-by had stopped to look and were telling each other it was likely one of the fellows who starved the people, and staring with eyes of indifference. Gamelin, coming closer, caught sight of Desmahis among the spectators; he was struggling to push a way through the press and cut across the line of march. He called out to him and clapped a hand on his shoulder,—and Desmahis turned his head. He was a young man with a handsome face and a stalwart person. In former days, at the Academy, they used to say he had the head of Bacchus on the torso of Hercules. His friends nicknamed him "Barbaroux" because of his likeness to that representative of the people.

"Come here," Gamelin said to him, "I have something of importance to say to you, Desmahis."

"Leave me alone," the latter answered peevishly, muttering some half-heard explanation, looking out as he spoke for a chance of darting across:

"I was following a divine creature, in a straw hat, a milliner's wench, with her flaxen hair down her back; that cursed cart has blocked my way.... She has gone on ahead, she is at the other end of the bridge by now!"

Gamelin endeavoured to hold him back by his coat skirts, swearing his business was urgent.

But Desmahis had already slipped away between horses, guards, swords and torches, and was in hot pursuit of the milliner's girl.

IV

t was ten o'clock in the forenoon. The April sun bathed the tender leafage of the trees in light. A storm had cleared the air during the night and it was deliciously fresh and sweet. At long intervals a horseman passing along the Allée des Veuves broke the silence and solitude. On the outskirts of the shady avenue, over against a rustic cottage known as La Belle Lilloise, Évariste sat on a wooden bench waiting for Élodie. Since the day their fingers had met over the embroidery and their breaths had mingled, he had never been back to the Amour peintre. For a whole week his proud stoicism and his timidity, which grew more extreme every day, had kept him away from Élodie. He had written her a letter conceived in a key of gravity, at once sombre and ardent, in which, explaining the grievance he had against the citoyen Blaise, but saying no word of his love and concealing his chagrin, he announced his intention of never returning to her father's shop, and was 
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