command! We and the creatures on the Plumie ship are in a very serious fix. One of them apparently means to come on board. There will be no hostility, no sneering, no threatening gestures! This is a parley! You will be careful. But you will not be trigger-happy!”

He glared around again, just as a metallic rapping came upon the Niccola’s air-lock door. The skipper nodded:

“Let him in the lock, Mr. Baird.”

Baird obeyed. The humming of the unlocking-system sounded. There were clankings. The outer air lock dosed. There was a faint whistling as air went in. The skipper nodded again.

Baird opened the inner door. It was 08 hours 10 minutes ship time.

The Plumie stepped confidently out into the topsy-turvy corridors of the Niccola. He was about the size of a ten-year-old human boy, and features which were definitely not grotesque showed through the clear plastic of his helmet. His pressure suit was, engineering-wise, a very clean job. His whole appearance was prepossessing. When he spoke, very clear and quite high sounds—soprano sounds—came from a small speaker-unit at his shoulder.

“For us to talk,” said the skipper heavily, “is pure nonsense. But I take it you’ve something to say.”

The Plumie gazed about with an air of lively curiosity. Then he drew out a flat pad with a white surface and sketched swiftly. He offered it to the Niccola’s skipper.

“We want this on record,” he growled, staring about.

Diane’s voice said capably from a speaker somewhere nearby:

“Sir, there’s a scanner for inspection of objects brought aboard. Hold the plate flat and I’ll have a photograph—right!”

The skipper said curtly to the Plumie:

“You’ve drawn our two ships linked as they are. What have you to say about it?”

He handed back the plate. The Plumie pressed a stud and it was blank again. He sketched and offered it once more.

“Hm-m-m,” said the skipper. “You can’t use your drive while we’re glued together, eh? Well?”

The Plumie reached up and added lines to the drawing.

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