not look at you. The others won't hear me. By reason of my great love for you, even though there is no response in your heart for me, I certainly have the right to ask that question; and, also, I believe I have the right to demand an answer. If you love that other man, and if you will tell me that you do, I shall have nothing more to say; but if you do not love him, you shall not be his wife so long as I have my two hands and can remember how to hold a gun." It sounded theatrical, but he did not mean it so; and a "gun" and its use, was the strongest form of expression he could think of, at that moment. It had formed the court of last resort throughout his youth in the great West, and just now he felt that the expression fitted the present case admirably. What reply Patricia might have made to this characteristic statement by the young Montana ranchman will never be known, for at that instant they were interrupted by the other passengers of the car, who sought to draw Patricia into conversation with them.

She accepted the interruption gratefully as well as gracefully; it offered an easy escape from a trying situation, and it was not until the car was drawn up in front of the door of her own home and she was about to leave it that she spoke again with Morton, save in a general way. Now, he leaned quickly nearer to her and said, in a tone so low that the others could not hear:

"I shall call upon you to-morrow evening—Sunday—if I may." Then he laughed and, with narrowed eyelids, added: "I'll come to the house whether I may or not. But you will receive me, won't you? Say that you will!" And Patricia nodded brightly, in reply, as she crossed the pavement toward the front steps of her father's princely mansion. At the door, she paused and looked after the car as it rolled up the avenue; and, with a half-smile of troubled perplexity, she murmured:

"I wish, now, that I had not given my word to that 'business transaction.' Richard Morton might have offered a better solution of my problem. Only, it would have been unfair—and cruel; and I have never been either the one, or the other; never, yet!" Then, she passed into the house.

Downtown in the private office of Stephen Langdon, Roderick Duncan stepped from the inner sanctum into the presence of the banker just as the latter started to his feet after the sudden and unexpected departure of his daughter. For an interval, the young man and the old faced each other in silence, the latter with a cynical and satirical smile on his strong face, the former with an unmistakable frown of anger.

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