his own, now.

"Will you do it, dear?" he repeated, a third time. "I'm game, if you are. It is a solution of the whole beastly muddle. Come on. I'll stump you! That is what we used to say, when we were kids. By Jove, girl, you're in as deep as I am, now; and, besides, you gave me your word that you'd help me, didn't you? Turn your eyes toward me. Tell me you'll do it. Say yes. Come on, Bee. I'll dare you. We can slip away from here while their backs are turned. What do you say? Will you marry me?"

"Yes," she replied, without moving or withdrawing her gaze from the stage, and she repeated: "yes, if you wish it." He could not see her face.

"Will you do it now?" Duncan demanded, half-startled by her ready acquiescence.

"Yes."

"Good! I knew you were game!"

He left his chair quickly and secured her wraps and his own coat and hat. Then, he stepped to the opening between the curtains and turned expectantly toward her.

She had not moved; but now, as if she had seen his every act without looking toward him, she turned her head slowly, observing him coolly, and she gave a little nod of comprehension and assent. He returned the nod, touched his fingers to his lips to enjoin silence, and passed outside. In another moment, she had glided softly but swiftly from her seat, and, unnoticed by the other occupants of the box, followed him, dropping the curtains silently after her.

He put her opera-cloak about her shoulders, and swiftly donned his own coat and hat, and so without as much as "by your leave," they left the theatre together and waited in the foyer while the special officer in gray called a taxicab for their use.

Duncan led her across the pavement to the cab, and assisted her inside.

"Do you know where the Church of the Transfiguration is located?" he asked the chauffeur.

"I do, sir," was the reply.

"Drive us there, and be quick about it," said Duncan, and he sprang inside and banged the door shut after him.

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