individual," he said of himself, as he looked in the glass when Mary Lawrie had been already twelve months in the house; "but then a man ought to be common. A man who is uncommon is either a dandy or a buffoon."

His clothes were all made after one pattern and of one colour. He had, indeed, his morning clothes and his evening clothes. Those for the morning were very nearly black, whereas for the evening they were entirely so. He walked about the neighbourhood in a soft hat such as clergymen now affect, and on Sundays he went to church with the old well-established respectable chimney-pot. On Sundays, too, he carried an umbrella, whereas on week-days he always had a large stick; and it was observed that neither the umbrella nor the stick was adapted to the state of the weather.

Such was Mr Whittlestaff of Croker's Hall, a small residence which stood half-way up on the way to the downs, about a mile from Alresford. He had come into the neighbourhood, having bought a small freehold property without the knowledge of any of the inhabitants. "It was just as though he had come out of the sun," said the old baker, forgetting that most men, or their ancestors, must have come to their present residences after a similar fashion. And he had brought Mrs Baggett with him, who had confided to the baker that she had felt herself that strange on her first arrival that she didn't know whether she was standing on her head or her heels.

Mrs Baggett had since become very gracious with various of the neighbours. She had the paying of Mr Whittlestaff's bills, and the general disposal of his custom. From thence arose her popularity. But he, during the last fifteen years, had crept silently into the society of the place. At first no one had known anything about him; and the neighbourhood had been shy. But by degrees the parsons and then the squires had taken him by the hand, so that the social endowments of the place were more than Mr Whittlestaff even desired.

CHAPTER III.

MARY LAWRIE.

There is nothing more difficult in the writing of a story than to describe adequately the person of a hero or a heroine, so as to place before the mind of the reader any clear picture of him or her who is described. A courtship is harder still—so hard that we may say generally that it is impossible. Southey's Lodore is supposed to have been effective; but let any one with the words in his memory stand beside the waterfall and say whether it is such as the words have painted it. It rushes and it 

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