sketch was usually negotiated from the three steps in front of Miss Mapp’s front door. Opposite the church-and-chimney-artists would sit others, drawing the front door itself (difficult), and moistening their pencils at their cherry lips, while a little further down the street was another battalion hard at work at the gabled front of the garden-room and its picturesque bow. It was a favourite occupation of Miss Mapp’s, when there was a decent gathering of artists outside, to pull a table right into the window of the garden-room, in full view of them, and, quite unconscious of their presence, to arrange flowers there with a smiling and pensive countenance. She had other little playful public pastimes: she would get her kitten from the house, and induce it to sit on the table while she diverted it with the tassel of the blind, and she would kiss it on its sweet little sooty head, or she would write letters in the window, or play Patience there, and then suddenly become aware that there was no end of ladies and gentlemen looking at her. Sometimes she would come out of the house, if the steps were very full, with her own sketching paraphernalia in her hands and say, ever so coyly: “May I scriggle through?” or ask[34] the squatters on her own steps if they could find a little corner for her. That was so interesting for them: they would remember afterwards that just while they were engaged on their sketches, the lady of that beautiful house at the corner, who had been playing with her kitten in the window, came out to sketch too. She addressed gracious and yet humble remarks to them: “I see you are painting my sweet little home. May I look? Oh, what a lovely little sketch!” Once, on a never-to-be-forgotten day, she observed one of them take a camera from his pocket and rapidly focus her as she stood on the top step. She turned full-faced and smiling to the camera just in time to catch the click of the shutter, but then it was too late to hide her face, and perhaps the picture might appear in the Graphic or the Sketch, or among the posturing nymphs of a neighbouring watering-place… [33] [34] This afternoon she was content to “scriggle” through the sketchers, and humming a little tune, she passed up to the churchyard. (“Scriggle” was one of her own words, highly popular; it connoted squeezing and wriggling.) There she carefully concealed herself under the boughs of the weeping ash tree directly opposite the famous south porch of the church. She had already drawn in the lines of this south porch on her sketching-block, transferring them there by means of a tracing from a photograph, so that formed a very promising
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