At the Sign of the Jack O'Lantern
With the characteristic independence of cats, the visitor yawned. The conversation evidently bored him.

“Come, kitty,” said Harlan, more firmly, with a low swoop of his arm. The cat arched his back, erected an enlarged tail, and hissed threateningly. In a dignified but effective manner, he eluded all attempts to capture him, even avoiding Dorothy and her broom.

“There’s something more or less imperial about him,” she remarked, wiping her flushed cheeks, when they had finally decided not to put the cat out. “As long as he’s adopted us, we’ll have to keep him. What shall we name him?”

“Claudius Tiberius,” answered Harlan. “It suits him down to the ground.”

“His first name is certainly appropriate,” laughed Dorothy, with a rueful glance at her scratched hand. Making the best of a bad bargain, she spread an old grey shawl, nicely folded, on the floor by the stove, and requested Claudius Tiberius to recline upon it, but he persistently ignored the invitation.

“This is jolly enough,” said Harlan. “A 17 cosy little supper in our own house, with a gale blowing outside, the tea kettle singing over the fire, and a cat purring on the hearth.”

17

“Have you heard Claudius purr?” asked Dorothy, idly.

“Come to think of it, I haven’t. Perhaps something is wrong with his purrer. We’ll fix him to-morrow.”

From a remote part of the house came twelve faint, silvery tones. The kitchen clock struck next, with short, quick strokes, followed immediately by a casual record of the hour from the clock on the mantel beneath Uncle Ebeneezer’s portrait. Then the grandfather’s clock in the hall boomed out twelve, solemn funereal chimes. Afterward, the silence seemed acute.

“The end of the honeymoon,” said Dorothy, a little sadly, with a quick, inquiring look at her husband.

“The end of the honeymoon!” repeated Harlan, gathering her into his arms. “To-morrow, life begins!”

Several hours later, Dorothy awoke from a dreamless sleep to wonder whether life was any different from a honeymoon, and if so, how and why.

18

II


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