The Pagan Madonna
in good faith of a Chinaman—Ling Foo. I consider them mine—that is, if they are still in my possession. Between the hour I met you last night and the moment of Captain Dennison’s entrance to my room considerable time had elapsed.” 102

102

“Sufficient for a rogue like Cunningham to make good use of,” supplemented the prisoner in Cabin Two. “There’s a way of finding out the facts.”

“Indeed?”

“Yes. You used to carry a planchette that once belonged to the actress Rachel. Why not give it a whirl? Everybody’s doing it.”

Cleigh eyed Cabin Four, then Cabin Two, and shook his head slightly, dubiously. He was not getting on well. To come into contact with a strong will was always acceptable; and a strong will in a woman was a novelty. All at once it struck him forcibly that he stood on the edge of boredom; that the lure which had brought him fully sixteen thousand miles was losing its bite. Was he growing old, drying up?

“Will you tell me what it is about these beads that makes you offer ten thousand for them? Glass—anybody could see that. What makes them as valuable as pearls?”

“They are love beads,” answered Cleigh, mockingly. “They are far more potent than powdered pearls. You have worn them about your throat, Miss Norman, and the sequence is inevitable.”

“Nonsense!” cried Jane.

Dennison added his mite to the confusion:

“I thought that scoundrel Cunningham was 103 lying. He said the string was a code key belonging to the British Intelligence Office.”

103

“Rot!” Cleigh exploded.

“So I thought.”

“But hurry, Miss Norman. The sooner I have that written order on the consulate the sooner you’ll have your belongings.”

“Very well.”

Five minutes later she announced that the order was completed, and Cleigh opened the door slightly.


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