Anderson Crow, Detective
first! Women first, remember!"

Down the road fled the crowd, looking over its collective shoulders, so to speak—followed by the venerable fire apparatus and the still more venerable commander-in-chief.

Harry Squires, in his two-column account of the fire in the Banner, dilated upon the fact that the women failed to retain the advantage so gallantly extended by the men. For the matter of about ten or fifteen yards they were first; after which, being handicapped by petticoats, they fell ingloriously behind. Some of the older ones—maliciously, he feared—impeded the progress of their protectors by neglecting to get out of the way in time, with the result that at least two men were severely bruised by falling over them—the case of Uncle Dad Simms being a particularly sad one. He collided head-on with the portly Mrs. Loop, and failing to budge her, suffered the temporary loss of a full set of teeth and nearly twenty minutes of consciousness. Mr. Squires went on to say that the only thing that saved Mr. Simms from being run over and killed by the fire-engine was the fact that the latter was about a block and a half ahead of him when the accident occurred.

Sparks soared high and far on the smoke-laden wind, scurrying townward across the barren quarry-lands. The vast canopy was red with the glow of flying embers and fire-lit clouds. Below, in the dusty road, swarmed the long procession of citizens. Grim, stark hemlocks gleamed in the weird, uncanny light that turned the green of their foliage and the black of their trunks into the colour of the rose on the side facing the fire, but left them dark and forbidding on the other. The telegraph-poles beyond the burning warehouse lining the railroad spur that ventured down from the main line some miles away and terminated at Smock's, loomed up like lofty gibbets in the ghastly light. Three quarters of a mile from the scene of the conflagration lay the homes of the people who lived on the rim of Tinkletown, and there also were the two churches and the motion-picture houses.

"We got to save them picture-houses," panted Anderson, and then in hasty apology,—"and the churches, too."

"You got to save my studio first," bawled Elmer K. Pratt, the photographer, trying to keep pace with him in the congested line.

"Halt!" commanded the chief, not because tactics called for such an action but because he was beginning to feel that he couldn't keep up with the engine.

The cavalcade eased down 
 Prev. P 8/192 next 
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