The Portrait of a Lady — Volume 2
Touchett slowly descending, his hat at the inclination of ennui and his hands where they usually were.     

       “I saw you below a moment since and was going down to you. I feel lonely and want company,” was Ralph’s greeting.     

       “You’ve some that’s very good which you’ve yet deserted.”      

       “Do you mean my cousin? Oh, she has a visitor and doesn’t want me. Then Miss Stackpole and Bantling have gone out to a cafe to eat an ice—Miss Stackpole delights in an ice. I didn’t think they wanted me either. The       opera’s very bad; the women look like laundresses and sing like peacocks. I feel very low.”      

       “You had better go home,” Lord Warburton said without affectation.     

       “And leave my young lady in this sad place? Ah no, I must watch over her.”      

       “She seems to have plenty of friends.”      

       “Yes, that’s why I must watch,” said Ralph with the same large mock-melancholy.     

       “If she doesn’t want you it’s probable she doesn’t want me.”      

       “No, you’re different. Go to the box and stay there while I walk about.”      

       Lord Warburton went to the box, where Isabel’s welcome was as to a friend so honourably old that he vaguely asked himself what queer temporal province she was annexing. He exchanged greetings with Mr. Osmond, to whom he had been introduced the day before and who, after he came in, sat blandly apart and silent, as if repudiating competence in the subjects of allusion now probable. It struck her second visitor that Miss Archer had, in operatic conditions, a radiance, even a slight exaltation; as she was, however, at all times a keenly-glancing, quickly-moving, completely animated young woman, he may have been mistaken on this point. Her talk with him moreover pointed to presence of mind; it expressed a kindness so ingenious and deliberate as to indicate that she was in undisturbed possession of her faculties. Poor Lord Warburton had moments of bewilderment. She had discouraged him, formally, as much as a woman could; what business had she then with such arts and such felicities, above all with such tones of reparation—preparation? Her 
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