“Perhaps you are mistaken.”

“Ah, well; you ask him and you will see.”

“I would rather not ask him, if there is any danger of his saying what you think.”

Morris looked at her with an air of mock melancholy.

“It wouldn’t give you any pleasure to contradict him?”

“I never contradict him,” said Catherine.

“Will you hear me abused without opening your lips in my defence?”

“My father won’t abuse you. He doesn’t know you enough.”

Morris Townsend gave a loud laugh, and Catherine began to blush again.

“I shall never mention you,” she said, to take refuge from her confusion.

“That is very well; but it is not quite what I should have liked you to say. I should have liked you to say: ‘If my father doesn’t think well of you, what does it matter?’”

“Ah, but it would matter; I couldn’t say that!” the girl exclaimed.

He looked at her for a moment, smiling a little; and the Doctor, if he had been watching him just then, would have seen a gleam of fine impatience in the sociable softness of his eye. But there was no impatience in his rejoinder—none, at least, save what was expressed in a little appealing sigh. “Ah, well, then, I must not give up the hope of bringing him round!”

He expressed it more frankly to Mrs. Penniman later in the evening. But before that he sang two or three songs at Catherine’s timid request; not that he flattered himself that this would help to bring her father round. He had a sweet, light tenor voice, and when he had finished every one made some exclamation—every one, that is, save Catherine, who remained intensely silent. Mrs. Penniman declared that his manner of singing was “most artistic,” and Dr. Sloper said it was “very taking—very taking indeed”; speaking loudly and distinctly, but with a certain dryness.

“He doesn’t like me—he 

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