Reel Life Films
He glanced at his skinned knuckles. "It was like hitting a brick," he said. He shook his head, added, "Sorry, Mr. Bezdek. I don't know how he got in here."

"Your job is to keep crackpots like that away from me," said the mogul. He turned and went back inside the compartment. Dorwin was still sitting as before.

"Eavesdroppers?" the banker inquired with unruffled poise.

"Not likely," said Bezdek, dropping into his seat. "Probably a movie-crazy kid trying to chisel a screen test."

The incident had brought back his heartburn. He wanted to take a couple of his pills but not in front of Dorwin. The banker might think he was cracking up. These damned New Yorkers had no idea of the pressure under which he labored. He sipped a glass of flat soda water.

"Where were we?" Dorwin said quietly. Somehow to Bezdek he gave the impression of remorseless rationality. "Oh, yes, these fantasy movies—we're a little worried about them."

"I thought you might be," said Bezdek, leaning forward and using the full magnetism of his personality. Now that the issue was out in the open his discomfort was eased. "Actually we don't think of our interplanetary cycle as fantasy, Dorwin. We think of them as forecasts of the future, as prophecy."

"They're still a far cry from reality, or even the usual escapism," said the banker. "Confidentially, I happen to know that it will be years—perhaps decades—before we make any live contact with the other planets. Our national interests demand that we prevent atomic power from superseding older methods before investments have realized on their holdings to the fullest extent. And it is upon development of atomic power that space-flight hinges at present."

"Certainly I understand that—sound business," said Bezdek with his one-sided smile. "I hope they wait for many years."

Dorwin looked faintly astonished. "From these pictures of yours I must confess I had derived a totally different impression of your theories," he said slowly, flicking two inches of pale grey ash into the silver tray at his elbow.

"Listen to me," said the movie-maker, again leaning toward his vis-à-vis. "We're making these pictures now because when the first man or men come back from other planets our science fiction cycle is finished. It will cease to be escape. We will then be faced with the reality of 
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