Poetical Works of William Cullen BryantHousehold Edition
last was shared by Boston and New York. Profit in these publications there was none, though Bryant, Halleck, Willis, Dana, Bancroft, and Longfellow wrote for them. Too good, or not good enough, they lived and died prematurely. Mr. Bryant's success as a metropolitan man of letters was not brilliant so far; but there were other walks than those of pure literature open to him, as to others, and into one of the most bustling of these he entered in his thirty-second year. In other words, he became one of the editors of the Evening Post. Henceforth he was to live by journalism.

Journalism, though an exacting pursuit, leaves its skillful followers a little leisure in which to cultivate literature. It the heyday of those ephemeral trifles, Annuals, and Mr. Bryant found time to edit one, with the assistance of his friend Mr. Verplanck, and his acquaintance Mr. Robert C. Sands (who, by the way, was one of the editors of the Commercial Advertiser), and a very creditable work it was. His contributions to "The Talisman" included some of his best poems. Poetry was the natural expression of his genius—a fact which he could never understand, for it always seemed to him that prose was the natural expression of all mankind. His prose was, and always continued to be, masterly. Its earliest examples, outside of his critical papers in the North American Review and other periodicals (and outside of the Evening Post, of course), are two stories entitled "Medfield" and "The Skeleton's Cave," contributed by him to "Tales of the Glauber Spa" (1832)—a collection of original stories by Mr. James K. Paulding, Mr. Verplanck, Mr. Sands, Mr. William Leggett, and Miss Catharine Sedgwick. Three years before (1828) he had become the chief editor of the Evening Post. Associated with him was Mr. Leggett, who had shown some talent as a writer of sketches and stories, and who had failed, like himself, in conducting a critical publication, for which his countrymen were not ready. He made a second collection of his poems at this time (1832), a copy of which was sent by Mr. Verplanck to Mr. Washington Irving, who was then, what he had been for years, the idol of English readers, and not without weight with the Trade. Would he see if some English house would not reprint it? No leading publisher nibbled at it, not even Murray, who was Mr. Irving's publisher; but an obscure bookseller named Andrews finally agreed to undertake it, if Mr. Irving would put his valuable name on the title-page as the editor. He was not acquainted with Mr. Bryant, but he was a kind-hearted, large-souled gentleman, who knew good poetry when he saw it, and he consented to "edit" the book. He was not a success in the estimation of Andrews, who came to him one day, by 
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