had an amicable quarrel over that bronze statue of Faust which she had found beautiful, while he, with a rudeness which seemed now quite incomprehensible, had insisted that it was not. And when he had failed to convince her, she had given him her hand in token of reconciliation—and Edith had a wonderful way of giving her hand, which made any one feel that it was a peculiar privilege to press it—and they had walked out arm in arm into the animated, gas-lighted streets, with a delicious sense of snugness and security, being all the more closely united for their quarrel. Here, farther up the avenue, they had once been to a party, and he had danced for the first time in his life with Edith. Here was Delmonico’s, where they had had such fascinating luncheons together; where she had got a stain on her dress, and he had been forced to observe that her dress was then not really a part of herself, since it was a thing that could not be stained. Her dress had always seemed to him as something absolute and final, exalted above criticism, incapable of improvement.     

       As I have said, Halfdan walked briskly up the avenue, and it was something after eleven when he reached the house which he sought. The great cloud-bank in the north had then begun to expand and stretched its long misty arms eastward and westward over the heavens. The windows on the ground-floor were dark, but the sleeping apartments in the upper stories were lighted. In Edith’s room the inside shutters were closed, but one of the windows was a little down at the top. And as he stood gazing with tremulous happiness up to that window, a stanza from Heine which he and Edith had often read together, came into his head. It was the story of the youth who goes to the Madonna at Kevlar and brings her as a votive offering a heart of wax, that she may heal him of his love and his sorrow.     

      “I bring this waxen image, The image of my heart, Heal thou my bitter sorrow, And cure my deadly smart!” 4 

       Then came the thought that for him, too, as for the poor youth of Cologne, there was healing only in death. And still in this moment he was so near Edith, should see her perhaps, and the joy at this was stronger than all else, stronger even than death. So he sat down beside the steps of the mansion opposite, where there was some shelter from the wind, and waited patiently till Edith should close her window. He was cold, perhaps, but, if so, he hardly knew it, for the 

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