events of such deep interest, and, above all, a moral of such excellent tendency, which concludes the performance, that its attraction can readily be accounted for, without the slightest imputation upon the judgment of the public.

Perhaps, of all the events recorded in history, that filial piety, on which the fable of this play is founded, may be classed among the most affecting—yet it was one the most hazardous for a dramatist to adopt; for nothing less than complete skill could have given to this singular occurrence effectual force, joined to becoming delicacy. In this arduous effort Mr. Murphy has evinced the most exact judgment, and the nicest execution.[Pg 4]

[Pg 4]

If this tragedy has not the smooth flowing verse of Otway, Thomson, or Rowe, it possesses, in energy and fire, charms more theatrical; nor does the heroic so wholly engross every scene, but that it yields, at times, to melting pathos.

Another praise due to this production is, that wonderful events take place by the most natural agency. Incidents arise progressively from each other, till the last great incident of all, fills every mind with enthusiasm in the cause of virtue and justice—in the joy of an empire made free by the overthrow of its tyrant.

It is hardly possible to read this tragedy of the "Grecian Daughter," without laughing as well as crying. Some passages excite tears, whilst certain high-sounding sentences, with meaning insignificant, are irresistibly risible.

The popular story, from which the fable of this tragedy is produced, and the surprising event in the last scene—where a woman performs that which a whole army has in vain attempted—together with the powerful acting of Mrs. Barry in the part of Euphrasia, rendered this play greatly attractive when it was first performed; and as those causes of attraction still remain, or rather, an improvement is introduced by Mrs. Siddons's appearance in the Grecian Daughter, the play is still of use to the theatre.

The men's characters have been all sacrificed by the author to the valour of the woman—he has made his female do the deed of a man, and his best man perform the act of a child.

[Pg 5]Though Evander ranks as the first male character in this play, no actor likes to appear in the part. He would rather be inferior, and less infirm.

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As Mr. 

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