showed a woman entering his front door. He sighed and rose from his seat, adjusting his blue robes carefully before he went to the door that led into the outer room.

He'd rather hoped it was a client, but—

"Hello, Susan, my dear," he said in a soft baritone, as he stepped through the door. "What seems to be the trouble?"

It wasn't the same line that he'd have used with a client. You don't ask a mark questions; you tell him. To a mark, he'd have said: "Ah, you are troubled." It sounds much more authoritative and all-knowing.

But Cherrie Tart—née Sue Kowalski—was one of the best strippers on the Boardwalk. Her winters were spent in Florida or Nevada or Puerto Rico, but in summer she always returned to King Frankie's Golden Surf, for the summer trade at Coney Island. She might be a big name in show business now, but she had never forgotten her carny background, and King Frankie, in spite of the ultra-ultra tone of the Golden Surf, still stuck to the old Minsky traditions.

The worried look on her too-perfect face had been easily visible in the TV screen, but it had been replaced by a bright smile as soon as she had heard Dr. Joachim opening the door. The smile flickered for a moment, then she said: "Gee, Doc; you give a girl the creepy feeling that you really can read her mind."

Dr. Joachim merely smiled. Susan might be with it, but a good mitt man doesn't give away all his little secrets. He had often wished that he could really read minds—he had heard rumors of men who could—but a little well-applied psychology is sometimes just as good.

"So how's everything been, Doc?" She smiled her best stage smile—every tooth perfect in that perfect face, her hair framing the whole like a perfect golden helmet. She looked like a girl in her early twenties, but Dr. Joachim knew for a fact that she'd been born in 1955, which made her thirty-two next January.

"Reasonably well, all things considered," Dr. Joachim admitted. "I'm not starving to death, at least."

She looked around at the room—the heavy drapes, the signs of the zodiac in gold and silver, the big, over-stuffed chairs, all designed to make the "clients" feel comfortable and yet slightly awed by the ancient atmosphere of mysticism. In the dim light, they looked fairly impressive, but she knew that if the lights were brighter the shabbiness would show.

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