maturity." At first there were only two Horæ, Thallo (or Spring) and Karpo (or Autumn); but later the number was three, like that of the Graces. In art they are represented as blooming maidens, bearing the products of the seasons.

2. Fair Venus' train. The Hours adorned Aphrodite (Venus) as she rose from the sea, and are often associated with her by Homer, Hesiod, and other classical writers. Wakefield remarks: "Venus is here employed, in conformity to the mythology of the Greeks, as the source of creation and beauty."

 

3. Long-expecting. Waiting long for the spring. Sometimes incorrectly printed "long-expected." Cf. Dryden, Astræa Redux, 132: "To flowers that in its womb expecting lie."

 

4. The purple year. Cf. the Pervigilium Veneris, 13: "Ipsa gemmis purpurantem pingit annum floribus;" Pope, Pastorals, i. 28: "And lavish Nature paints the purple year;" and Mallet, Zephyr: "Gales that wake the purple year."

 

5. The Attic warbler. The nightingale, called "the Attic bird," either because it was so common in Attica, or from the old legend that Philomela (or, as some say, Procne), the daughter of a king of Attica, was changed into a nightingale. Cf. Milton's description of Athens (P. R. iv. 245):

Cf. Ovid, Hal. 110: "Attica avis verna sub tempestate queratus;" and Propertius, ii. 16, 6: "Attica volucris."

Pours her throat is a metonymy. H. p. 85. Cf. Pope, Essay on Man, iii. 33: "Is it for thee the linnet pours her throat?"

6, 7. Cf. Thomson, Spring, 577:

9, 10. Cf. Milton, Comus, 989:

12. Cf. Milton, P. L. iv. 245: "Where the unpierc'd shade Imbrown'd the noontide bowers;" Pope, Eloisa, 170: "And breathes a browner horror on the woods;" Thomson, Castle of Indolence, i. 38: "Or Autumn's varied shades imbrown the walls."

According to Ruskin (Modern Painters, vol. iii. p. 241, Amer. ed.) there is no brown in nature. After remarking that Dante "does not acknowledge the existence of the colour of brown at all," he goes on to say: "But one day, just when I was puzzling myself about this, I happened to be sitting by one of our best living modern colourists, watching him at his work, when he said, suddenly and by mere accident, 

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