February 8, 1856.—Since the volume has been in print, the Author finds that his name has got abroad. This gives him reason to add, that he wrote great part of Chapters I., IV., and V., and sketched the character [pg viii]and fortunes of Juba, in the early spring of 1848. He did no more till the end of last July, when he suddenly resumed the thread of his tale, and has been successful so far as this, that he has brought it to an end. February 8, 1856. February 8, 1856. [pg viii] Without being able to lay his finger upon instances in point, he has some misgiving lest, from a confusion between ancient histories and modern travels, there should be inaccuracies, antiquarian or geographical, in certain of his minor statements, which carry with them authority when they cease to be anonymous. February 2, 1881.—October, 1888.—In a tale such as this, which professes in the very first sentence of its Advertisement to be simple fiction from beginning to end, details may be allowably filled up by the writer’s imagination and coloured by his personal opinions and beliefs, the only rule binding on him being this—that he has no right to contravene acknowledged historical facts. Thus it is that Walter Scott exercises a poet’s licence in drawing his Queen Elizabeth and his Claverhouse, and the author of “Romola” has no misgivings in even imputing hypothetical motives and intentions to Savonarola. Who, again, would quarrel with Mr. Lockhart, writing in Scotland, for excluding Pope, or Bishops, or sacrificial rites from his interesting Tale of Valerius? February 2, 1881.—October, 1888. February 2, 1881.—October, 1888. “Romola” Such was the understanding, as to what I might do and what I might not, with which I wrote this [pg ix]story; and to make it clearer, I added in the later editions of this Advertisement, that it was written “from a Catholic point of view;” while in the earlier, bearing in mind the interests of historical truth, and the anachronism which I had ventured on at page 82 in the date of Arnobius and Lactantius, I said that I had not “admitted any actual interference with known facts without notice,” questions of religious controversy, when I said it, not even coming into my thoughts. I did not consider my Tale to be in any sense controversial, but to be specially addressed to Catholic readers, and for their
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