The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
tenderness, love of knowledge, a narrow, precise, and formal reading of theology—everything we learn of him hangs well together, and builds up a popular Scottish type. If I mention the name of Andrew Fairservice, it is only as I might couple for an instant Dugald Dalgetty with old Marshal Loudon, to help out the reader’s comprehension by a popular but unworthy instance of a class. Such was the influence of this good and wise man that his household became a school to itself, and neighbours who came into the farm at meal-time would find the whole family, father, brothers, and sisters, helping themselves with one hand, and holding a book in the other. We are surprised at the prose style of Robert; that of Gilbert need surprise us no less; even William writes a remarkable letter for a young man of such slender opportunities. One anecdote marks the taste of the family. Murdoch brought “Titus Andronicus,” and, with such dominie elocution as we may suppose, began to read it aloud before this rustic audience; but when he had reached the passage where Tamora insults Lavinia, with one voice and “in an agony of distress” they refused to hear it to an end. In such a father, and with such a home, Robert had already the making of an excellent education; and what Murdoch added, although it may not have been much in amount, was in character the very essence of a literary training. Schools and colleges, for one great man whom they complete, perhaps unmake a dozen; the strong spirit can do well upon more scanty fare.

46

Robert steps before us, almost from the first, in his complete character—a proud, headstrong, impetuous lad, greedy of pleasure, greedy of notice; in his own phrase “panting after distinction,” and in his brother’s “cherishing a particular jealousy of people who were richer or of more consequence than himself“; with all this, he was 47 emphatically of the artist nature. Already he made a conspicuous figure in Tarbolton church, with the only tied hair in the parish, “and his plaid, which was of a particular colour, wrapped in a particular manner round his shoulders.” Ten years later, when a married man, the father of a family, a farmer, and an officer of Excise, we shall find him out fishing in masquerade, with fox-skin cap, belted great-coat, and great Highland broadsword. He liked dressing up, in fact, for its own sake. This is the spirit which leads to the extravagant array of Latin Quarter students, and the proverbial velveteen of the English landscape-painter; and, though the pleasure derived is in itself merely personal, it shows a man who is, to say the least of it, not pained by general attention and remark. His father wrote the family name 
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