Threads of Grey and Gold
their household gods.

[Pg 20]

Illuminations and fireworks make the streets gorgeous at night, and a monstrous Chinese dragon, spouting flame, is drawn through the streets.

People salute each other with cries of “Kung-hi! Kung-hi!” meaning I humbly wish you joy, or “Sin-hi! Sin-hi!” May joy be yours.

Many amusements in the way of theatricals and illumination are provided for the public.

In both China and Japan, all debts must be paid and all grudges settled before the opening of the New Year. Every one is supposed to have new clothes for the occasion, and those who cannot obtain them remain hidden in their houses.

In Japan, the conventional New Year costume is light blue cotton, and every one starts out to make calls. Letters [Pg 21]on rice paper are sent to those in distant places, conveying appropriate greetings.

[Pg 21]

The Japanese also go to their favourite tea gardens where bands play, and wax figures are sold. Presents of cooked rice and roasted peas, oranges, and figs are offered to every one. The peas are scattered about the houses to frighten away the evil spirits, and on the fourth day of the New Year, the decorations of lobster, signifying reproduction, cabbages indicating riches, and oranges, meaning good luck, are taken down and replaced with boughs of fruit trees and flowers.

Strange indeed is the country in which the milestones of Time pass unheeded. In spite of all the mirth and feasting, there is an undercurrent of sadness which has been most fitly expressed by Charles Lamb:

“Of all the sounds, the most solemn and touching is the peal which rings out the old year. I never hear it without gathering up in my mind a concentration of all the images that have been diffused over the past twelve [Pg 22]months; all that I have done or suffered, performed, or neglected, in that regretted time. I begin to know its worth as when a person dies. It takes a personal colour, nor was it a poetical flight in a contemporary, when he exclaimed: ‘I saw the skirts of the departing year!’”

[Pg 22]

[Pg 23]

[Pg 23]

The Two 
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