dead." The priest and his companion, shocked and unnerved, looked at one another in silence. The child's sobs grew louder, and the morning sunlight stole across the bare floor, and fell upon the white, still faces. The tragedy was over, and the seeds of another sown. [pg 32] [pg 32] CHAPTER II "THE NEW ART" A tall, fair young man stood in the small alcove of Lady Swindon's drawing-room, with his eyes fixed upon the door. He was accurately dressed in the afternoon garb of a London man about town, and carried in his hand, or rather in his hands, for they were crossed behind him, that hall-mark of Western civilization—a well-brushed, immaculate silk hat. Neither in his clothes nor personal appearance was there any striking difference between him and the crowd of other young men who thronged the rooms, except perhaps that he was a trifle better made, and pleasanter to look at than most of them, and that the air of boredom, so apparent on most of their faces and in their manners, was in his case perfectly natural. As a matter of fact, he hated afternoon receptions, and was only waiting for a favourable opportunity to make his exit unnoticed. "Paul, my boy, you don't look happy," exclaimed a voice in his ear. Paul de Vaux turned upon the new-comer sharply. [pg 33] "Not likely to, Arthur. You know I hate all this sort of thing, and, as far as I can see, it's just a repetition of the usual performance—stale speeches, lionizing, gossip, and weak tea. I consider you've brought me here under false pretences. Where's the startling novelty you promised me?" [pg 33] "All in good time," was the cool reply. "You'll thank your stars you're here in a minute or two." Paul de Vaux looked at his brother incredulously. "Some sell of yours, I suppose," he remarked. "At any rate, no one here whom I have spoken to seems to be expecting anything unusual." Arthur—no one ever called him anything else—laughed, and beat an impatient tattoo upon the floor with his foot. He was several
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