conversation. Sinclair had some years previously discovered a small vein of yellow mundick on the moor of Skinnet, four miles from Thurso. The Cornish miners he consulted told him that the mundick was itself of no value, but a good sign of the proximity of other valuable minerals. Mundick, said they, was a good horseman, and always rode on a good load. He now employed Raspe to examine the ground, not designing to mine it himself, but to let it out to other capitalists in return for a royalty, should the investigation justify his hopes. The necessary funds were put at Raspe's disposal, and masses of bright, heavy material were brought to Thurso Castle as a foretaste of what was coming. But when the time came for the fruition of this golden promise, Raspe disappeared, and subsequent inquiries revealed the deplorable fact that these opulent ores had been carefully imported by the mining expert from Cornwall, and planted in the places where they were found. Sir Walter Scott must have had the incident (though not Raspe) in his mind when he created the Dousterswivel of his "Antiquary." As for Raspe, he betook himself to a remote part of the United Kingdom, and had commenced some mining operations in country Donegal, when he was carried off by scarlet fever at Muckross in 1794. Such in brief outline was the career of Rudolph Erich Raspe, scholar, swindler, and undoubted creator of Baron Munchausen.     

       The merit of Munchausen, as the adult reader will readily perceive, does not reside in its literary style, for Raspe is no exception to the rule that a man never has a style worthy of the name in a language that he did not prattle in. But it is equally obvious that the real and original Munchausen, as Raspe conceived and doubtless intended at one time to develop him, was a delightful personage whom it would be the height of absurdity to designate a mere liar. Unfortunately the task was taken out of his hand and a good character spoiled, like many another, by mere sequel-mongers. Raspe was an impudent scoundrel, and fortunately so; his impudence relieves us of any difficulty in resolving the question,—to whom (if any one) did he owe the original conception of the character whose fame is now so universal.     

       When Raspe was resident in Göttingen he obtained, in all probability through Gerlach Adolph von Munchausen, the great patron of arts and letters and of Göttingen University, an introduction to Hieronynimus Karl Friedrich von Munchausen, at 

 Prev. P 14/129 next