My Fair Planet
with an intelligently coordinated theater and an intellectually adult audience, your abilities would be recognized automatically."

"Oh," said Paul.

He was not unaware that he was being flattered, but it was so seldom that anyone bothered to pay him any attention when he was not playing a role that it was difficult not to succumb. "Are—are you figuring on taking over the planet single-handed?" he asked curiously.

"Heavens, no! Talented as I am, there are limits. I don't do the—ah—dirty work myself. I just conduct the preliminary investigation to determine how powerful the local defenses are."

"We have hydrogen bombs," Paul said, trying to remember details of a newspaper article he had once read in a producer's ante-room, "and plutonium bombs and—"

"Oh, I know about all those," Ivo smiled expertly. "My job is checking to make sure you don't have anything really dangerous."

All that night, Paul wrestled with his conscience. He knew he shouldn't just let Ivo go on. Yet what else could he do? Go to the proper authorities? But which authorities were the proper ones? And even if he found them, who would believe an actor offstage, delivering such improbable lines? He would either be laughed at or accused of being part of a subversive plot. It might result in a lot of bad publicity which could ruin his career.

So Paul did nothing about Ivo. He went back to the usual rounds of agents' and producers' offices, and the knowledge of why Ivo was on Earth got pushed farther into the back of his mind as he trudged from interview to reading to interview.

It was an exceptionally hot October—the kind of weather when sometimes he almost lost his faith and began to wonder why he was batting his head against a stone wall, why he didn't get a job in a department store somewhere or teaching school. And then he thought of the applause, the curtain calls, the dream of some day seeing his name in lights above the title of the play—and he knew he would never give up. Quitting the theater would be like committing suicide, for off the stage he was alive only technically. He was good; he knew he was good, so some day, he assured himself, he was bound to get his big break.

Toward the end of that month, it came. After the maximum three readings, between which his hopes alternately waxed and waned, he was cast as the male lead in The Holiday Tree. The 
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