had hastened home to book herself for the house-parties, and with Victoria Gwynne, although one of the least opulent of her friends, first on the list. She had had several correspondents as ardent as herself, and there was little gossip of the more intimate sort that had not reached her sooner or later, but she found subtle changes in Victoria for which she could not as yet account. She had now been at Capheaton and alone with her friend for three days, but there had been a stress of duties for both, and the hostess had never been more silent. To-day, as she seemed even less inclined to conversation, although manifestly nervous, Miss Thangue merely drank her tea with an air of being too comfortable and happy in England and Capheaton for intellectual effort, and patiently waited for a cue or an inspiration. But although she too kept silence, memory and imagination held rendezvous in her circumspect brain, and she stole more than one furtive glance at her companion.

Lady Victoria Gwynne, one of the tallest women of her time and still one of the handsomest, had been extolled all her life for that fusion of the romantic and the aristocratic ideals that so rarely find each other in the same shell; and loved by a few. Her round slender figure, supple with exercise and ignorant of disease, her black hair and eyes, the utter absence of color in her smooth Orientally white skin, the mouth, full at the middle and curving sharply upward at the corners, and the irregular yet delicate nose that seemed presented as an afterthought to save that brilliant and subtle face from classic severity, made her look—for the most part—as if fashioned for the picture-gallery or the poem, rather than for the commonplaces of life. Always one of those Englishwomen that let their energy be felt rather than expressed, for she made no effort in conversation whatever, her once mobile face had of late years, without aging, composed itself into a sort of illuminated mask. As far as possible removed from that other ideal, the British Matron, and still suggesting an untamed something in the complex centres of her character, she yet looked so aloof, so monumental, that she had recently been painted by a great artist for a world exhibition, as an illustration of what centuries of breeding and selection had done for the noblewomen of England.

Some years before, a subtle Frenchman had expressed her in such a fashion that while many vowed he had given to the world an epitome of romantic youth, others remarked cynically that his handsome subject looked as if about to seat herself on the corner of the table and smoke a cigarette. The American artist, although habitually cruel to his patrons, had, 

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