"Oh, but my heart is not so old! Take my hand—it is firm and strong; touch my lips—they are burning——"
A low whistle sounded at the top of the lane. As I took her hands I pushed her back, and turning, ran for my life. I suppose that, as I ran, I counted forty before her scream came, and then the sound of her feet pattering after me.
She must have run like a demon; for I was less than ten yards ahead when Peter caught my wrist and pulled me up on to the back-seat of the dog-cart. And before George could set the horse going her hand clutched at the flap on which my feet rested. It missed its grasp, and she never got near enough again. But for half a minute I looked into that horrible face following us and working with silent rage; and for half a mile at least I heard the patter of her feet in the darkness behind. Indeed, I can hear it now.
THE MYSTIC KREWE.
BY MAURICE THOMPSON.
CHAPTER I.
About seventy years ago a young man of strong physique and prepossessing appearance arrived at New Orleans. He had come from New York, of which city he was a native, and had brought with him a considerable sum of money, supplemented by a letter of introduction to Judge Favart de Caumartin, who was then at the flood tide of his fame.
It would not be fair to call our young man ("our hero" would be the good old phrase) an adventurer, without taking pains to qualify the impression that might be produced. Hepworth Coleman had his own way of looking at life. Fifty years later he would have been a tragedian—probably a famous one, but the conditions were not favorable to awakening histrionic ambition at the time when his character, his tastes, his ambition should have been forming. What he saw that was most fascinating to him had no distinct form; it lay along the south-western horizon, a dreamy, mist-covered something not unlike the confines of romance.
Hepworth Coleman was rich, and what was, perhaps, a greater misfortune, he had no living kinsfolk for whom he cared or who cared for him. Practically speaking, he was alone in the world: moreover, he had an imagination. Scott's novels, Byron's poetry, the French romances, and I know not what else of the sort, had been his chief reading. For physical recreation he had turned to fencing and pistol practice. When I add that he was but twenty-two and unmarried, the rest might be guessed, but Coleman was not a young man of the world in the worst sense—he
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