Somerset stopped to examine it. The castle was not exceptionally large, but it had all the characteristics of its most important fellows. Irregular, dilapidated, and muffled in creepers as a great portion of it was, some part—a comparatively modern wing—was inhabited, for a light or two steadily gleamed from some upper windows; in others a reflection of the moon denoted that unbroken glass yet filled their casements. Over all rose the keep, a square solid tower apparently not much injured by wars or weather, and darkened with ivy on one side, wherein wings could be heard flapping uncertainly, as if they belonged to a bird unable to find a proper perch. Hissing noises supervened, and then a hoot, proclaiming that a brood of young owls were residing there in the company of older ones. In spite of the habitable and more modern wing, neglect and decay had set their mark upon the outworks of the pile, unfitting them for a more positive light than that of the present hour.     

       He walked up to a modern arch spanning the ditch—now dry and green—over which the drawbridge once had swung. The large door under the porter’s archway was closed and locked. While standing here the singing of the wire, which for the last few minutes he had quite forgotten, again struck upon his ear, and retreating to a convenient place he observed its final course: from the poles amid the trees it leaped across the moat, over the girdling wall, and thence by a tremendous stretch towards the keep where, to judge by sound, it vanished through an arrow-slit into the interior. This fossil of feudalism, then, was the journey’s-end of the wire, and not the village of Sleeping-Green.     

       There was a certain unexpectedness in the fact that the hoary memorial of a stolid antagonism to the interchange of ideas, the monument of hard distinctions in blood and race, of deadly mistrust of one’s neighbour in spite of the Church’s teaching, and of a sublime unconsciousness of any other force than a brute one, should be the goal of a machine which beyond everything may be said to symbolize cosmopolitan views and the intellectual and moral kinship of all mankind. In that light the little buzzing wire had a far finer significance to the student Somerset than the vast walls which neighboured it. But the modern fever and fret which consumes people before they can grow old was also signified by the wire; and this aspect of to-day did not contrast well with the fairer side of feudalism—leisure, 

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