Deadly City
She pulled the sheet into a wad and threw it at the wall. She got up and walked to the window and looked out. Bright daylight. She wondered how long she had slept. A long time, no doubt.

Her naked thigh pressed against the windowsill and her bare stomach touched the dirty pane. Naked in the window, but it didn't matter, because it gave onto an airshaft and other windows so caked with grime as to be of no value as windows.

But even aside from that, it didn't matter. It didn't matter in the least.

She went to the washstand, her bare feet making no sound on the worn rug. She turned on the faucets, but no water came. No water, and she had a terrible thirst. She went to the door and had thrown the bolt before she remembered again that she was naked. She turned back and saw the half-empty Pepsi-Cola bottle on the floor beside the bed table. Someone else had left it there—how many nights ago?—but she drank it anyhow, and even though it was flat and warm it soothed her throat.

She bent over to pick up garments from the floor and dizziness came, forcing her to the edge of the bed. After a while it passed and she got her legs into one of the garments and pulled it on.

Taking cosmetics from her bag, she went again to the washstand and tried the taps. Still no water. She combed her hair, jerking the comb through the mats and gnarls with a satisfying viciousness. When the hair fell into its natural, blond curls, she applied powder and lip-stick. She went back to the bed, picked up her brassiere and began putting it on as she walked to the cracked, full-length mirror in the closet door. With the brassiere in place, she stood looking at her slim image. She assayed herself with complete impersonality.

She shouldn't look as good as she did—not after the beating she'd taken. Not after the long nights and the days and the years, even though the years did not add up to very many.

I could be someone's wife, she thought, with wry humor. I could be sending kids to school and going out to argue with the grocer about the tomatoes being too soft. I don't look bad at all.

She raised her eyes until they were staring into their own images in the glass and she spoke aloud in a low, wondering voice. She said, "Who the hell am I, anyway? Who am I? A body named Linda—that's who I am. No—that's what I am. A body's not a who—it's a what. One hundred and fourteen pounds of well-built blond body called Linda—model 1931—no 
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