The Competitive Nephew
that they are going to pay him ten dollars a week because he's worth it. No, Aaron; they don't want the boy in the first place, and in the second place he ain't worth ten dollars a week, and in the third place they ain't going to pay him ten dollars a week, because they will add it to the cost of their garments; and, Aaron, if you want any fourth, fifth, or sixth places I could stand here talking for an hour. But you got business to attend to, Aaron, and so you must excuse me." 

 He thrust his hands into his trousers-pockets and walked stolidly toward the cutting room, while Aaron blinked in default of a suitable rejoinder. 

 "My partner is right, Aaron," Max said. "He is right, Aaron, even if he is the kind of feller that would throw me out of the window, supposing I says half the things to you as he did. But, anyhow, Aaron, that ain't neither here nor there. You heard what Sam says, Aaron, and me, I stick to it also." 

 "You heard what Sam says, Aaron, and me, I stick to it also" 

 Aaron blinked once or twice more and then he put on his hat. 

 "All right," he said. "All right." 

 He turned toward the front of the showroom where his nephew was sorting over a pile of garments. 

 "Fillup!" he bellowed. "You should put on your hat and coat and come with me." 

 It was during the third month of Philip Pinsky's employment with Greenberg & Sen that Blaukopf, the druggist, insisted on a new coat of white paint for the interior of his up-to-date store at the northwest corner of Madison Avenue and One Hundred and Twenty-second Street. His landlord demurred at first, but finally, in the middle of June, a painter's wagon stopped in front of the store and Harris Shein, painter and decorator, alighted with two assistants. They conveyed into the store pots of white lead and cans of turpentine, gasoline, and other inflammable liquids used in the removal and mixing of paints. Harris Shein was smoking a paper cigarette, and one of the assistants, profiting by his employer's example, pulled a corncob pipe from his pocket. Then, after he had packed the tobacco down firmly with his finger, he drew a match across the seat of his trousers and forthwith he began a three months' period of enforced abstinence from house-painting and decorating. Simultaneously Blaukopf's plate-glass show-window fell into the street, the horse ran away with the painter's wagon, a policeman turned in a fire alarm, three thousand children came on 
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