The Green God
the couple ahead of me as they advanced toward him. As I joined them, Major Temple presented me to his daughter as a friend of Mr. Ashton's, which, it appeared to me, did not predispose that young lady particularly in my favor, judging by the coldness with which she received me, and then we all proceeded to the dining-room.

[14]

The dinner was excellently cooked, and was served by the same almond-eyed Chinaman who had admitted us upon our arrival. I learned afterwards that the Major was an enthusiastic student of Oriental art, and[15] that his collection of porcelains and carved ivory and jewels was one of the finest in England. He had, it appeared, spent a great portion of his life in the East and had only just returned from a stay of over a year in China, during which he had penetrated far into the interior, into that portion of the country lying toward Thibet, where Europeans do not usually go.

[15]

During dinner, Major Temple and Mr. Ashton talked continually of China, and referred frequently to "it," and to "the stone," although at the time I did not grasp the meaning of their references. I attempted without much success to carry on a conversation with Miss Temple, but she seemed laboring under intense excitement and unable to give my efforts any real attention, so I gradually found myself listening to the talk between Major Temple and Mr. Ashton. As near as I could gather, the latter had set out from Hong Kong some months before, on a search for a cer[16]tain stone or jewel which Major Temple desired for his collection, and after an adventurous trip during which he had been forced at the risk of his life to remain disguised as a coolie for some weeks, had finally escaped and returned to England. There was also some talk of a reward, though of what nature I did not understand, but it seemed to give Mr. Ashton great satisfaction, and to cause Major Temple much uneasiness every time it was mentioned, and I saw him glance frequently, covertly, at the blanched face of his daughter. As Mr. Ashton brought his thrilling story to a conclusion, he drew from his waistcoat pocket a small, green leather case, evidently of Chinese workmanship, and, opening it, turned out upon the white cloth what I at first thought to be a small figure of green glass, which on closer inspection proved to be a miniature representation of the god Buddha, standing somewhat above an inch and a half in height, and wonderfully cut from a single[17] flawless emerald. I looked up at Ashton in amazement as he allowed the gas light to play upon its marvelous beauty of color and the 
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