A Top-Floor Idyl
push us away towards the doors. The bottle, I notice, is nearly half empty, which proves our entire sobriety; had it been Pommard, we should have paid more respectful attention to it. Give me a light, and let us make tracks."

We rose and went out. A few couples were beginning to gyrate among the fumes of spaghetti and vin ordinaire. Gordon McGrath, unlike myself, lives in one of the more select quarters of the city, wherefore we proceeded towards Fifth Avenue. The partial solitude of Washington Square enticed us, and we strolled towards it, sitting of common accord upon one of the benches, in the prelude of long silence resulting from philosophic bent and indulgence in rather tough veal. It was finally broken by Gordon; being younger, speech is more necessary to him.

"What about that sarcophagus you've lately selected for yourself?" he asked me.

"They are pleasant diggings," I answered. "Being on the top floor, they are remote as possible from hand-organs and the fragrance of Mrs. Milliken's kitchen. The room is quite large and possesses a bath. It gives me ample space for my books and mother's old piano."

"Wherefore a piano?" he asked, lighting another cigarette. "You can't even play with one finger."

"Well, my sister Jane took out nearly all the furniture, and the remainder went to a junkman, with the exception of the piano. Jane couldn't use it; no room for it in her Weehawken bungalow, besides which she already has a phonograph, purchased at the cost of much saving. You see, Gordon, that old Steinway was rather more intimately connected with my mother, in my memory, than anything else she left. She played it for us when we were kiddies. You have no idea of what a smile that dear woman had when she turned her head towards us and watched us trying to dance! Later on, when she was a good deal alone, it was mostly 'Songs without Words,' or improvisations such as suited her moods. Dear me! She looked beautiful when she played! So, of course, I took it, and it required more room, so that I moved. I've had it tuned; the man said that it was in very good condition yet."

"You were always a silly dreamer, Dave."

"I don't quite see," I began, "what——"

"I'll enlighten your ignorance. Of course you don't. David, old man, you've had the old rattle-trap tuned because of the hope that rises eternal. Visions keep on coming to you of a woman, some indistinct, shadowy, composite 
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