“I did, father.”

“Do not break your promise. If she gives it back to you, that might be well; but you cannot escape from your own word and deed. Honour keeps the door of the house of life. To break your word is to set the door wide open,—open for sorrow and evil of all kinds. Take care, Ulfar.”

The next day he died, and one of Ulfar’s first thoughts was that the death set him free from his promise for one year at the least. A year contained a multitude of chances. He could afford to write to Aspatria under such circumstances. So he answered her letter at once, and it seemed proper to be affectionate, preparatory to reminding her that their marriage was impossible until the mourning for Sir Thomas was over. Also death had softened 63 his heart, and his father’s last words had made him indeterminate and a little superstitious. A clever woman of the world would not have believed in this letter; its aura—subtle but persistent, as the perfume of the paper—would have made her doubt its fondest lines. But Aspatria had no idea other than that certain words represented absolutely certain feelings.

63

The letter made her joyful. It brought back the roses to her cheeks, the spring of motion to her steps. She began to work in her room once more. Now and then her brothers heard her singing the old song she had sung so constantly with Ulfar,—

“A shepherd in a shade his plaining made,

Of love, and lovers’ wrong,

Unto the fairest lass that trod on grass,

And thus began his song:

‘Restore, restore my heart again,

Which thy sweet looks have slain,

Lest that, enforced by your disdain, I sing,

Fye! fye on love! It is a foolish thing!

“‘Since love and fortune will, I honour still

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