Lancaster, was considered somewhat “new.” To be truly aristocratic, at least three generations of one’s forbears must have lived in the same dwelling. In the hall hung the old family portraits. Gentlemen and gentlewomen, long since [Pg 34]gathered to their fathers, had looked down from their gilded frames upon many a strange scene. Baby footsteps had faltered on the stairs, and wide childish eyes had looked up in awe to this stately company. Older children had wondered at the patches and the powdered hair, the velvet knickerbockers and ruffled sleeves. Awkward schoolboys had boasted to their mates that the jewelled sword, which hung at the side of a young officer in the uniform of the Colonies, had been presented by General Washington himself, in recognition of conspicuous bravery upon the field. Lovers had led their sweethearts along the hall at twilight, to whisper that their portraits, too, should some day hang there, side by side. Soldiers of Fortune who had found their leader fickle had taken fresh courage from the set lips of the gallant gentlemen in the great hall. Women whose hearts were breaking had looked up to the painted and powdered dames along the winding stairway, and learned, through some subtle freemasonry of sex, that only the lowborn cry out when hurt. Faint, wailing voices of new-born babes had reached the listening ears of the portraits by night and by [Pg 35]day. Coffin after coffin had gone out of the wide door, flower-hidden, and step after step had died away forever, leaving only an echo behind. And yet the men and women of the line of Field looked out from their gilded frames, high-spirited, courageous, and serene, with here and there the hint of a smile. [Pg 34] [Pg 35] Far up the stairs and beyond the turn hung the last portrait: Aunt Peace, in the bloom of her mature beauty, painted soon after she had taken possession of the house. The dark hair was parted over the low brow and puffed slightly over the tiny ears. The flowered gown was cut modestly away at the throat, showing a shoulder line that had been famous in three counties when she was the belle of the countryside. For the rest, she was much the same. Let the artist make the brown hair snowy white, change the girlish bloom to the tint of a faded pink rose, draw around the eyes and the mouth a few tiny time-tracks, which, after all, were but the footprints of smiles, sadden the trustful eyes a bit, and cover the frivolous gown with black brocade,—then the mistress of the mansion, who moved so gaily through the house, would inevitably startle you as you came [Pg 36]upon her
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