The Master's Violin
half-past three, precisely, Aunt Peace came back. She had on her best gown—a soft, heavy black silk, simply made. At the neck and wrists were bits of rare old lace, and her one jewel, an emerald of great beauty and value, gleamed at her throat. She wore no rings except the worn band of gold that had been her mother’s wedding ring.

“What did you dream?” asked Iris.

“Nothing, dearie,” she laughed. “I have never slept so soundly before. Our guests have put a charm upon the house.”

From the embroidered work-bag that dangled at her side, she took out the thread lace she was making, and began to count her stitches.

[Pg 59]

[Pg 59]

“I think I’ll get my sewing, too,” said Margaret. “I feel like a drone in this hive of industry.”

“One, two, three, chain,” said Aunt Peace. “Iris, do you think the cakes are as good as they were last time?”

“I think they’re even better.”

“Did you take out the oldest port?”

“Yes, the very oldest.”

“I trust he was not hurt,” Aunt Peace went on, “because last week I asked him not to come. The common people sometimes feel those things more keenly than aristocrats, who are accustomed to the disturbance of guests.”

“Of course, he would be disappointed,” said Iris, with a little smile, “but he would understand—I’m sure he would.”

When Margaret came back she had a white, fluffy garment over her arm. “Who would have thought,” she cried, gaily, “that I should ever have the time to make myself a petticoat by hand! The atmosphere of East Lancaster has wrought a wondrous change in me.”

“Iris,” said Miss Field, “let me see your stitches.”

The girl held up her petticoat—a dainty garment of finest cambric, lace-trimmed and [Pg 60]exquisitely made, and the old lady examined it critically. “It is not what I could do at your age,” she continued, “but it will answer very well.”

[Pg 60]


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