The Master's Violin
of orange-coloured tissue paper, an old black ostrich feather, and her paints.

“What in the world—” began Lynn.

“Don’t be impatient, please. Make the clothes-pin gold, with a black head, and then I’ll show you what to do next.”

[Pg 68]

[Pg 68]

“Aren’t you going to help me?”

“Only with my valuable advice—it is your gift, you know.”

Awkwardly, Lynn gilded the clothes-pin and suspended it from the back of a chair to dry. “I hope she’ll like it,” he said. “She pointed to me once and said something in German to her brother. I didn’t understand, but I remembered the words, and when I got home I looked them up in my dictionary. As nearly as I could get it, she had characterised me as ‘a big, lumbering calf.’”

“Discerning woman,” commented Iris. “Now, take this sheet of tissue paper and squeeze it up into a little ball, then straighten it out and do it again. When it’s all soft and crinkly, I’ll tell you what to do next.”

“There,” exclaimed Lynn, finally, “if it’s squeezed up any more it will break.”

“Now paint the head of the clothes-pin and make some straight black lines on the middle of it, cross ways.”

“Will you please tell me what I’m making?”

“Wait and see!”

Obeying instructions, he fastened the paper tightly in the fork of the clothes-pin, and [Pg 69]spread it out on either side. The corners were cut and pulled into the semblance of wings, and black circles were painted here and there. Iris herself added the finishing touch—two bits of the ostrich feather glued to the top of the head for antennæ.

[Pg 69]

“Oh,” cried Lynn, in pleased surprise, “a butterfly!”

“How hideous!” said Margaret, pausing in the doorway. “I trust it’s not meant for me.”

“It’s for the 
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