was still living—he was called the Prince de Béarn, now he was called the King of Navarre, afterwards he was known as Henry IV. From time to time a swift and gloomy cloud passed over his brow; unquestionably it was at the thought that scarce had two months elapsed since his mother's death, and he, less than any one, doubted that she had been poisoned. But the cloud was transitory, and disappeared like a fleeting shadow, for they who spoke to him, they who congratulated him, they who elbowed him, were the very ones who had assassinated the brave Jeanne d'Albret. Some paces distant from the King of Navarre, almost as pensive, almost as gloomy as the king pretended to be joyous and open-hearted, was the young Duc de Guise, conversing with Téligny. More fortunate than the Béarnais, at two-and-twenty he had almost attained the reputation of his father, François, the great Duc de Guise. He was an elegant gentleman, very tall, with a noble and haughty look, and gifted with that natural majesty which caused it to be said that in comparison with him other princes seemed to belong to the people. Young as he was, the Catholics looked up to him as the chief of their party, as the Huguenots saw theirs in Henry of Navarre, whose portrait we have just drawn. At first he had borne the title of Prince de Joinville, and at the siege of Orléans had fought his first battle under his father, who died in his arms, denouncing Admiral Coligny as his assassin. The young duke then, like Hannibal, took a solemn oath to avenge his father's death on the admiral and his family, and to pursue the foes to his religion without truce or respite, promising God to be his destroying angel on earth until the last heretic should be exterminated. So with deep astonishment the people saw this prince, usually so faithful to his word, offering his hand to those whom he had sworn to hold as his eternal enemies, and talking familiarly with the son-in-law of the man whose death he had promised to his dying father. But as we have said, this was an evening of astonishments. Indeed, an observer privileged to be present at this festival, endowed with the knowledge of the future which is fortunately hidden from men, and with that power of reading men's hearts which unfortunately belongs only to God, would have certainly enjoyed the strangest spectacle to be found in all the annals of the melancholy human comedy. But this observer who was absent from the inner courts of the Louvre was to be found in the streets gazing with flashing eyes and breaking out into loud threats; this observer was the people, who, with