the servants she engages. I have a theory that, show me a sullen servant and I will show you a sullen mistress, although Edith herself disclaims all responsibility and lays credit for the smile with which Katie brings in my eggs and coffee, to largess on my part. Be that as it may, Katie is a smiling and personable young woman, and I am convinced that had she picked up the alligator on the back-stairs and lost part of the end of her thumb, she would have told Edith that she cut it off with the bread knife, and thus have saved to us Bessie the Beloved and her fascinating trick of taking the end of her tail in her mouth and spinning. On that particular morning, Katie also brought me a letter, and I recognized the cramped and rather uncertain writing of Miss Jane Maitland. CONTENTS "Dear Mr. Knox: Dear Mr. Knox "Sister Letitia wishes me to ask you if you can dine with us to-night, informally. She has changed her mind in regard to the Colored Orphans' Home, and would like to consult you about it. "Very truly yours, "Susan Jane Maitland." Susan Jane Maitland It was a very commonplace note: I had had one like it after every board-meeting of the orphans' home, Miss Maitland being on principle an aggressive minority. Also, having considerable mind, changing it became almost as ponderous an operation as moving a barn, although not nearly so stable. (Fred accuses me here of a very bad pun, and reminds me, quite undeservedly, that the pun is the lowest form of humor.) I came across Miss Jane's letter the other day, when I was gathering the material for this narrative, and I sat for a time with it in my hand thinking over again the chain of events in which it had been the first link, a series of strange happenings that began with my acceptance of the invitation, and that led through ways as dark and tricks as vain as Bret Harte's Heathen Chinee ever dreamed of, to the final scene at the White Cat. With the letter I had filed away a half dozen articles and I ranged them all on the desk in front of me: the letter, the bit of paper with eleven twenty-two on it, that Margery gave me the first time I saw her; a note-book filled with jerky characters that looked like Arabic and were newspaper
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