Angela's Business
"Why—I really don't, I'm afraid," said she in her soft voice. "I don't suppose I understand it all very well. I just came—because Cousin Mary invited me!"

She hesitated, then laughed, and finally said: "And you see, it's the first party I've been invited to since I came here to live!"

"And you like parties?"

"Yes, so much. Don't you?"

The remark, at, and as to, the Redmantle, seemed delightful.

"I did, when I was young and gay. Now, I never seem to have time to enjoy myself any more. You've been meeting a good many people, I suppose?"

"Well, no,—not many yet. Really hardly any." The girl laughed, and again showed a charming naïveté: "You're the very first man I've met since we came here—except Mr. Tilletts!"

"But that's a tremendous exception, Miss Flower. You appreciate that he's one of our leading swains?"

"Oh, is he!" she said, a little disconcerted. "Why—I hope he didn't think I was rude! I thought he was—somebody's father, you see, or uncle...."

Charles Garrott regarded the cousin pleasurably, with no thought of cross-examination. He, the authority, it need scarcely be said, had recognized this girl at sight. Manifestly, she was none other than the Nice Girl, the Womanly Woman, whom he and all moderns were forever holding up to scorn. Doubtless it was merely the increased conservative reaction: but Charles, for the moment, seemed conscious of no scorn in him toward Miss Angela Flower.

The cousin was pretty; not beautiful, no throne-shaker; but pretty, and attractive-looking. Wholly normal she looked, quite engagingly so, with her fine clear skin, smooth dark hair, and large limpid eyes. In her manner there was something soft, simple, and sweet, an ingenuous desire to please and be pleased; Miss Flower was feminine, in short,—it could not be denied. In a company, where the women acted like men, and the men acted like the Third Sex, this girl seemed content to remind you, like her mothers, that she was a woman.

Her conversation, intrinsically speaking, was not remarkable. But—the insidious contrast again—in a Midst where everybody else was conversing remarkably, plain conversation itself became an episode, and a charming one. She spoke of bridge, saying that she and 
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