"Bondwomen: A Novel of Modern Marriage." (The Judge had first typed the title Bandwomen, as if it were a Novel of Female Bandsmen, which had annoyed Charles very much.) Considering the cunning with which he had labored to "keep the story moving," it could scarcely be doubted, that "Bondwomen" was destined to have a large sale. And that, in fact, was just the danger; that was precisely the reason that he, the author, felt this sense of moral responsibility. Young married women, young impressionable Temporary Spinsters everywhere, would soon be reading this book, and moulding their characters upon it. He, of course, had never preached any of the wilder, Trevenna Modernity. But all the same.... That passage there, for instance, where Lily Slender, in the lonely vigil on the terrace, reviews the status of Parasitic Woman and decides to leave her husband, and grow her Soul: certainly the probability was that intelligent women all over the world (he would have to grant British and Colonial rights at once, no doubt) would shortly be devouring that keen, advanced Thinking; and, it was to be feared, a general exodus from Homes would follow. In his mind's eye, Charles saw armies of women rising and packing Gladstone bags in the stilly night, and stealing forth, just as the dawn whitened the east, to join Lily Slender in lifting marriage to the Higher Plane, by means of Commerce. Bondwomen Bandwomen He had put much of Mary Wing into Lily; he knew that. But then he hadn't taken it in, in those days, how serious Mary was as to—what was the word of that mad ass Hodger?—fiercely hacking away whatever impeded her in her Self-Development. Had not the moment rather come when some one, some all-seeing and completely modern authority, should resolutely sound the Note of Warning? Was it so sure that careering Egoism had anything more valuable to give the world than the old virtues which it flouted? Beauty, charm, and cheer, tenderness, selfless sympathy, all that mothering meant: was it not ridiculous to ignore these enormous contributions to the work of the world, because, forsooth, they could not show an immediate cash return? Now all the clocks of the city—all, that is, that were right, and had bells—began to sound midnight. But the absorbed author and authority paced on, aware of no sound. He was thinking, with something like excitement, of his next novel, "Bondwomen's" greater successor, for which he was now just struggling to fix his point of view, straighten out his "moral plot," by means of notes in the old French exercise-book. Long as he had sensed a certain
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