something. Nothing's left but the walking wounded. She concludes it's actually easier to get a baby than a decent guy—which is what she starts trying to do. High concept: This picture is about how adopting a baby can enrich the life of a childless human being and, not coincidentally, bring joy to an orphaned infant." I crossed my legs. "Finally, after she gets a couple more promotions, she wakes up one morning and realizes she's never going to have a family. All the stable, rational men have disappeared. Like there's a black hole or something. Nothing's left but the walking wounded. She concludes it's actually easier to get a baby than a decent guy—which is what she starts trying to do. High concept: This picture is about how adopting a baby can enrich the life of a childless human being and, not coincidentally, bring joy to an orphaned infant." I remembered when I'd first pitched it to David Roth of Applecore. His response had been; "Definitely art-house. Probably never get past the Angelika. A wide release is gonna be three screens where they serve iced cappuccino." I remembered when I'd first pitched it to David Roth of Applecore. His response had been; "Definitely art-house. Probably never get past the Angelika. A wide release is gonna be three screens where they serve iced cappuccino." I was dead set to prove him wrong. I was dead set to prove him wrong. "So," I wound up, "I've shot the entire film, but now, thinking it over, I've decided there's one last thing I need to do. As I go through the story, at every step of the adoption process I want to cut to an interview, just talking heads, tight shot, of somebody who actually went through it. Nonfiction. The real-life happy ending. And that's where you come in." "So," I wound up, "I've shot the entire film, but now, thinking it over, I've decided there's one last thing I need to do. As I go through the story, at every step of the adoption process I want to cut to an interview, just talking heads, tight shot, of somebody who actually went through it. Nonfiction. The real-life happy ending. And that's where you come in." What I wasn't telling her was, I was increasingly concerned the picture might be slightly hollow without this punch of real life. What I wasn't telling her was, I was increasingly concerned the picture might be slightly hollow without this punch of real