The Gateless Barrier
Commonplace. It was slightly wounding to personal vanity to be thus selected, from among the millions of mankind, as a fine, thorough-paced example and exponent of the Commonplace. But Laurence was kind-hearted. He also possessed a fund of practical philosophy. No—decidedly the position was not a flattering one! Yet it was rather original, and, moreover, how could one in common charity refuse any little pleasure to a dying man?

"Very well, sir," he said. "I think I quite grasp the necessities of the inquiry. I'm quite willing to be operated on, and I promise to play fair and not let the evidence be faked. But I'm afraid you'll get bored first. I am likely to be more illuminated than illuminating."

"I am obliged to you," Mr. Rivers said. "To-night I will not further detain you. Pray give any orders you please to Renshaw. He is a well-trained and responsible servant. There are horses in the stable. Good-night. I repeat that I am obliged to you."

III

Finding it unlikely that his uncle would ask for him before evening, and that consequently he had plenty of time at his disposal, Laurence embarked after breakfast upon a survey of the house. When a boy at school he had occasionally passed a couple of nights at Stoke Rivers. His recollections of these visits were not gay. He had been glad enough to go away again. It followed that his impressions of the house itself were vague and confused. He now found that it was constructed in the shape of a capital L reversed. The base of the letter, facing east and west, contained kitchens, offices, and servants' quarters. The main building—at right angles to it—was two stories in height, and consisted of suites of handsome rooms opening on to a wide corridor. The windows of the latter looked south, those of the rooms north. The colouring and furnishings resembled, in the main, those of Mr. Rivers' bedroom. Dark panelled walls, rich, sombre hangings of dark blue, crimson, or violet obtained throughout. In the drawing-rooms were some noble landscapes by Cuyp, Ruysdael, and other Dutch masters of note. There was also an admirable collection of Italian ivories, small figures of exquisite workmanship; and several glass cases containing fine antique and renaissance gems. The walls of the libraries were lined with books—a curious and varied collection, ranging from ancient black-letter volumes down to the latest German treatise, on natural science or metaphysics, of the current year. Laurence promised himself to make nearer acquaintance with these rather weighty joys at a more convenient season. Meanwhile, in contrast to the otherwise 
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