acquainted with this room—but why or how he knew not. He was filled, too, by a singular sense of expectation. It was to him as though some exquisite presence had but lately quitted this apartment and might, at any instant, return to it. He apprehended something tenderly, delectably feminine. The china ornaments, and many little fanciful silver toys, spoke of a woman's taste. So did a tambour frame, and an ivory work-box, the lid of it open, disclosing dainty property of gold thimble, scissors, cottons, and what not—and a half-finished frill of cobweb-like India muslin, a little, gold-eyed needle sticking in the mimic hem. On the small table beside the work-box lay a white vellum-bound copy of the Vita Nuova of Dante, and the Introduction to the Devout Life of St. Francis de Sales. Perplexed by his own sensations, possessed too by a sudden, gentle reverence and longing which he could not explain, Laurence touched the pretty trifles in the work-box; fitted the thimble on the tip of his little finger; turned the pages of the Dante, and read how the poet came near swooning at first sight of the maiden of eight years old whom, though she was never destined to be his mistress or wife, he loved ever after, and made immortal in immortal verse. He unlocked the worn red-velvet violin case and drew the bow—not for the first time—he could have sworn not—across the wailing strings. What did it all mean? Yes, what, indeed,—in the name of common-sense, of New York and Newport, of his golf and polo, and cotillions, of crowded opera-house and shouting racecourse? In the name, too, of those hard, brilliant, dying eyes, and that cold, hungry intellect upstairs, what did it mean? He had no recollection of having been into this room on his former visits to Stoke Rivers in his boyhood. And yet, of course, he must have been here—otherwise? But then this overmastering sense of expectation, this apprehension of an exquisite feminine presence, this— "Upon my word, I'm playing the fool to some purpose," he said, half aloud. He crossed the room, threw wide the French window and went onto the head of the semicircular flight of stone steps without. The wind buffeted him roughly. The rain spattered in his face. On the left, the lawns were divided from the downward slope of rough park and woodland by a sunk fence. Beyond was outspread an extensive tract of rolling, wooded country—red and white hamlets half buried among trees, here and there the spire of a village church, flat, green pastures lying along the valleys, brown patches of hop-garden and ploughland, and uplifted against the grey, storm-drifted horizon a windmill crowning some