I, Thou, and the Other One: A Love Story
physically the expression of his place and surroundings that not a soul in Atheling ever doubted that the Squire was in the exact place to which God Almighty had called him.

On this morning he was dressed in a riding suit of dark blue broadcloth trimmed with gilt buttons; his vest was white, his cravat white, and his hat of black beaver. As he galloped away, he swept it from his brow to his stirrups in an adieu to his wife and daughter; but the men and women-servants took their share in the courtesy, and it was easy to feel the cheer of admiration, only expressed by their broad smiles and sympathetic glances. As soon as “the Master” was 28 out of sight, they turned away, each to his or her daily task; and Kate looked at her mother inquiringly. There was an instant understanding, and very few words were needed.

28

“Thou hadst better lose no time. He might get away early.”

“He will not leave until he sees us, Mother. That is what he came to Atheling for,–I’ll warrant it,–and if I don’t go to the village, he will come here; I know he will.”

“Kitty, I can’t, I can’t trust to that–and you promised.”

“I am going to keep my promise, Mother. Have my mare at the door in ten minutes, and I will be ready.”

Mrs. Atheling had attended to this necessity before breakfast, and the mare was immediately waiting. She was a creature worthy of the Beauty she had to carry,–dark chestnut in colour, with wide haunches and deep oblique shoulders. Her mane was fine, her ears tremulous, her nostrils thin as parchment, her eyes human in intelligence, her skin like tissue-paper, showing the warm blood pressing against it, and the veins standing clearly out. Waiting fretted her, and she pawed the garden gravel impatiently with her round, dark, shining hoofs until Kate appeared. Then she uttered a low whinny of pleasure, and bent her head for the girl to lay her face against it.

 

29A light leap from the groom’s hand put Kate in her seat, and a lovelier woman never gathered reins in hand. In those days also, the riding dress of women did not disfigure them; it was a garb that gave to Kate Atheling’s loveliness grace and dignity, an air of discreet freedom, and of sweet supremacy,–a close-fitting habit of fine cloth, falling far below her feet in graceful folds, and a low beaver hat, crowned with drooping plumes, shadowing her smiling face. One word to the 
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